Can a Bird's Broken Wing Heal on Its Own
Romeo and JulietDelight see the bottom of the page for explanatory notes.Delight click here for even more than notes and paraphrases.
Side by side: Romeo and Juliet, Act two, Scene 3 __________ Explanatory Notes for Act 2, Scene ii __________ Prologue 1. He jests ... wound, Mercutio, who never felt the wound of love, may well jest at the scars which Cupid's arrows have left in my heart. That this is not a general, only a detail, remark is, I remember, proved by the answering rhyme, as Staunton has noticed. And every bit neither the folios nor the quartos make any division of scene, such division, originally due to Rowe, seems clearly wrong. ii. soft! he bids himself 'hush,' cautions himself to talk in a lower voice. 4. envious, jealous. vii. Be non her maid, no longer serve her, no longer keep a vow to live unmarried; as Diana'southward votaries pledged themselves to do. 8. Her vestal ... green, the life of chastity to which she binds her priestess is one of sickly, jaundiced, hue. In sick and green there is probably, as Delius suggests, an innuendo to the "green-sickness" of which Shakespeare often speaks, and which in iii. v. 157, below, Capulet applies every bit an epithet to Juliet in his anger at her refusal of Paris, "Out, yous green-sickness carrion! out, you baggage! You tallow-face," — an disquiet of languishing girls characterized by a pale complexion. The reading of the starting time quarto is pale for sick, and this is preferred by many editors. Collier would alter ill into white, seeing in the line an allusion to the white and dark-green livery formerly worn past the Courtroom fools; just it seems unlikely that Shakespeare would utilise the word fools in this literal sense when referring to Juliet, while, as Grant White points out, if such an allusion were intended, information technology would exist obtained from the reading of the get-go quarto, stake, without the tearing change to white; vestal livery. Vesta was the Roman goddess of the hearth, corresponding with the Greek Hestia, and her priestesses were vowed to a life of chastity and celibacy; cp. Per. iii. iv. 10, "A vestal livery volition I have me to, And never more take joy." 12. what of that? but that matters little. 13. discourses, is eloquent in its mere look. xvi. some business, some private affairs of their own which would exist hindered by their having to perform their nightly duty of lighting up the sky. 17. in their spheres. According to the Ptolemaic system of astronomy, round near the earth, which was the center of the system, were ix hollow spheres, consisting of the seven planets, the fixed stars or firmament, and the Primum Mobile; the spheres with the stars and planets in them existence whirled round the world in twenty-four hours by the driving power, the Primum Mobile. 21. the airy region, the upper air; region, was originally a segmentation of the sky marked out by the Roman augurs. In afterward times the atmosphere was divided into three regions, upper, middle, and lower. Cp. besides Haml. ii. 2. 509. 24, v. O, that ... cheek, cp. Tennyson, The Miller'due south Girl, 169-186. 28. winged messenger, affections. 29. white-upturned, turned upwardly in admiration and then that the pupils are scarcely seen. 30. autumn back, stand back in awe, and besides in order to get a clearer view. 31. lazy-pacing, slowly drifting. Grant White compares Macb. i. vii. 21-five; lazy-pacing is Pope's conjecture for lasie pacing, of the get-go quarto; the remaining quartos and the folios requite lazie, or lazy, puffing. 34. refuse, disown, disclaim; cp. T. C. 4. v. 267, "Nosotros have had pelting wars, since you refused The Grecians' cause." 37. speak at this, answer her without allowing her to go farther, interrupt her at this point. 39. Yard art ... Montague. Staunton explains "That is, every bit she afterwards expresses it, yous would still retain all the perfections which ardorn you, were non chosen Montague"; and so substantially Grant White, though Dyce calls such an explanation "unintelligible." Others follow Malone in putting the comma later on though, as used in the sense of however, with the explanation that Juliet is only endeavouring to account for Romeo'due south existence amiable and excellent though he is a Montague, to prove which she asserts that he but bears the name, simply has none of the qualities of that house. Various emendations take also been proposed, but Staunton's explanation seems to me quite satisfactory. 42. be some other proper noun, be somebody else in proper noun than Montague. Lettsom objects that Shakespeare could not have written "be another proper name"; just after the expression "What'due south Montague?", where "Montague" is used as though information technology were a affair, in that location seems no reason why we should non have "exist some other proper name." 46. owes, owns; as frequently in Elizabethan literature, the final northward of the M. E. owen, to pcssess, beingness dropped. The modern sense of the discussion 'to be in debt,' 'to be obliged,' comes from the sense of possessing another's property, simply the word has no etymological connection with to 'own' = to possess; it being from the A.Southward. agan, to have, while the latter is from the A.Due south. agnian, to appropriate, merits as i's own, from agn, contracted form of agen, one's own (Skeat, Ety. Dict.). 47. doff, put off; exercise off, equally don, do on; dup, do up; dout, practise out. 48. for thy proper name, in commutation for your name. 53. So stumblest on my counsel, come up so unexpectedly upon my surreptitious thouglits; cp. M. N. D. i. 1. 216, "Emptying our bosoms of their counsel sweet," i.east. confiding to each other our inmost thoughts. 53, 4. Past a name... am, if I could let you know who I am without using a name, I would gladly do so, for it is incommunicable for me to proper name myself without lamentable yous. 55. saint. Delius points out that this word recalls their showtime coming together when, as a pilgrim, Romeo had thus greeted Juliet. 58. drunk, unconsciously acknowledging the avidity with which she had listened to his words. 61. if either thee dislike, if either exist unpleasant to your ears; dislike is really impersonal, as in Oth. ii. 3. 49, "I'll practice't; merely it mislike's me." 64. And the place expiry, and to venture here is to risk your life. 66. o'er-perch these walls, wing over these walls and settle hither, as a bird settles upon a branch after a flight from some other spot; a perch is literally a rod, bar, and so a bough or twig on which a bird settles. 67. stony limits, limits formed of stone, i.east. walls; stony, more unremarkably used as = of the nature of. 69. are no let to me, are no hindrance to me, cannot bar my way and continue me out. 71. Alack, according to Skeat, either a corruption of 'ah! lord,' or, which seems more probable, from ah! and M. East. lak, loss, failure. 73. proof against, able to suffer, hold out against; see note on i. 1. 216. 76. merely thousand love me ... hither, except, unless, y'all love me, I am quite willing that they should detect me here and kill me; without your dearest, life to me is not worth living. 78. Than decease ... dear, than that my death should be delayed if I am to be without your love; prorogued, the Lat. prorogare was to advise a further extension of office, lience to defer, though literally meaning only to ask publicly, from pro-, publicly, and rogare, to ask. 81. counsel, communication. 83. vast shore. "Lat. vastus, empty, waste" (Walker). 84. I would adventure for, I would make my voyage in quest of, however neat the danger. 88. Fain ... form, gladly would I, if information technology were possible, stand on ceremony with you, treat you lot with distant formality; Fain, properly an adjective. 89. but farewell compliment, "simply away with formality and punctilio" (Staunton); I now cast such things to the winds. 93. laughs, good-humouredly disdains to punish them. Douce compares Marlowe'south translation of Ovid's Art of Beloved, i. 633, "For Jove himself sits in the azure skies, And laughs below at lover'due south perjuries," from which he thinks that Shakespeare borrowed. 94. pronounce information technology faithfully, assure me of your love without adding an oath to confirm your words. 97. So, provided that. 98. fond, heedlessly loving; addicted, originally fonned, the past participle of the verb fonnen, to act foolishly, from the substantive fon, a fool. 99. low-cal, full of levity, wanton. 101. more cunning ... foreign, more than skill in affecting coyness. 104. passion, passionate confession; the word was formerly used of any potent emotion. 106. Which the night ... discovered, which (love) has been revealed to y'all by the darkness of the nighttime whose part should be to muffle; which you have discovered thanks to the darkness of the night. 110. circled, revolving; not, I think, 'round,' equally Schmidt explains. 111. likewise, every bit. 113. gracious, attractive, finding favour in my optics; cp. T. A. i. i. 429, "if ever Tamora Were gracious in those princely optics of thine." This is the reading of the first quarto, the other old copies giving glorious, which Grant White thinks more suitable to the context. 114.of my idolatry, that I worship. 117. I have ... to-nighttime, I feel no joy in at present ratifying with oaths a contract between usa. Like Romeo, i. iv. 106-11, she has a presentiment of some evil befalling their plighted love. 118. unadvised, imprudent, formed without sufficient consideration. 121, 2. This bud of honey ... run across, this new love of ours, cherished in our hearts, may expand into full growth by the time we adjacent meet, as beneath the summertime's warmth the bud expands into a beauteous blossom. as that ... chest, "equally to that heart within my breast" (Delius). 126. satisfaction, Delius points out the double sense hither of payment and comfort. 129. And yet ... again, and yet I wish I had not given it, in club that I might now again accept the joy of giving it. 131. frank, liberal, free of hand; cp. Lear, iii. iv. 20, "Your onetime kind begetter, whose frank center gave all." 132. the thing I have. sc. her ain space love. 143. If that ... honourable, if your love is honourable in its intentions; for that, equally a conjunctional affix, see Abb. § 287. 145. procure to come, adapt to accept sent. 146. the rite, sc. of spousal relationship. 152. By and by, in a minute, direct. 153. suit. Malone quotes from Brooke's verse form, Romeus and Juliet, "and now your Juliet you beseekes To cease your sute, and endure her to live emong her likes." 154. And then thrive my soul — may my soul prosper (co-ordinate as I mean well to you), the final words being broken off by Juliet's farewell. 156. A thousand ... light, in respond to Juliet's wish of good-nighttime he says, nay, not skilful nighttime but bad night, nighttime made a thousand times the worse past the absence of you lot who are its only light. 158. toward ... looks, sc. equally schoolboys go toward, etc. 159. Hist! Heed! 159, 60. O, for ... again! would that I had a vocalism that would bring back my gentle Romeo as surely equally the falconer's vocalisation brings ack the tassel-gentle! "The tassel or tiercel (for and then it should be spelled) is the male of the gosshawk; then called because it is a tierce or third less than the female...This species of hawk had the epithet gentle annexed to it, from the ease with which it was tamed, and its zipper to man" (Steevens). "It appears," adds Malone, "that certain hawks were considered as appropriated to certain ranks. The tercel-gentle was appropriated to the prince, and thence was chosen past Juliet every bit an appellation for her dear Romeo." 161. Bondage ... aloud, 1 fettered, constrained past fear of being overheard, like me, is as much unable to phone call aloud equally one whose voice is stopped by hoarseness of the throat. 162. Else ... lies, otherwise by my loud cries I would rend the cave in which Repeat dwells; Echo, an Oread who past Juno was changed into a existence neither able to speak until somebody had spoken, nor to exist silent when anybody had spoken. 163. And make ... mine, and, by compelling her to repeat my cries, make her hoarser than myself even. Dyce compares Comus, 208, "And blusterous tongues that syllable men's names On sands and shores and desert wildernesses." 166. argent-sweetness, in allusion to the sweet tone of bells made of silver. 167. attending, attentive. 173. to accept ... in that location, in club to go along you standing there. 175. to take ... forget, so that you may continue to forget. 176. Forgetting ... this, forgetting that I have any habitation but this, forgetting that this is not really my home. 178. a wanton'southward bird, the pet bird of a mischievous girl, a girl that loves to tease her pets. 180. gyves, bondage, fetters. 182. Then loving-jealous ... liberty, and so fond of information technology and yet so jealous of its getting its freedom. 186. shall say good night, shall continue saying 'good nighttime.' 188. so sweet to residue, having and then sweet a resting place. 189. ghostly father, spiritual begetter; begetter, a championship given to cosmic priests. 190. my love hap, the good fortune that has befallen me; hap, fortune, chance, accident, from which we get to 'happen' and 'happy.' How to cite the explanatory notes: ______ Even more... Daily Life in Shakespeare's London Games in Shakespeare's England [A-L] Queen Elizabeth: Shakespeare'due south Patron Ben Jonson and the Reject of the Drama Alchemy and Astrology in Shakespeare's 24-hour interval | Notes on Romeo and JulietJuliet appears above at a window (stage direction). Shakespeare did not include this phase management and information technology is non in Q1 or the First Folio. It was added in the 17th century and has remained ever since, although some editors cull to place the direction correct afterwards Romeo's line "He jests at scars that never felt a wound" (ane), while others insert it right before Romeo says "Information technology is my lady, O it is my love" (10).More to ExploreRomeo and Juliet: Complete Play with Explanatory NotesThemes and Motifs in Romeo and Juliet Phase History of Romeo and Juliet Romeo and Juliet: Examination Questions and Answers Queen Mab in Evidently English Romeo and Juliet Plot Summary (Acts 1 and two) What Is Achieved in Deed I? sick and greenish ] The phrase sick and light-green refers to the anaemic condition known as chlorosis, or dark-green sickness. The goddess Diana (the moon personified) is sickly pale and envious of Juliet's beauty (6). Juliet, as well, as a follower of Diana (i.e,. a virgin) is looking quite sickly stake herself. As Helen King argues in her book The disease of virgins: light-green sickness, chlorosis and the bug of puberty, "...for an early mod reader, the disease characterization 'greenish sickness' - like 'the disease of virgins' - could contain within itself the cure: sexual experience" (35). Read on... Mercutio's Death and its Office in the Play Shakespeare on Fate How to Pronounce the Names in Romeo and Juliet Introduction to The Montagues and the Capulets Shakespeare's Linguistic communication Notes on Shakespeare...Richard Shakespeare, Shakespeare's paternal grandad, was a farmer in the small village of Snitterfield, located four miles from Stratford. Records show that Richard worked on several different farms which he leased from diverse landowners. Coincidentally, Richard leased land from Robert Arden, Shakespeare's maternal grandfather. Read on...____ Shakespeare caused substantial wealth thanks to his acting and writing abilities, and his shares in London theatres. The going rate was £10 per play at the turn of the sixteenth century. And then how much money did Shakespeare make? Read on... Henry Bolingbroke, the eldest son of John of Gaunt and the grandson of Rex Edward Three, was born on Apr 3, 1367. Henry usurped the throne from the ineffectual King Richard II in 1399, and thus became King Henry Four, the start of the iii kings of the Business firm of Lancaster. Read on... Known to the Elizabethans as ague, Malaria was a common malady spread past the mosquitoes in the marshy Thames. The swampy theatre district of Southwark was always at run a risk. King James I had it; so too did Shakespeare's friend, Michael Drayton. Read on... Shakespeare was familiar with seven foreign languages and oftentimes quoted them directly in his plays. His vocabulary was the largest of whatsoever writer, at over twenty-4 1000 words. Read on... |
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