Can a Bird's Broken Wing Heal on Its Own

Romeo and Juliet

Delight see the bottom of the page for explanatory notes.
Delight click here for even more than notes and paraphrases.
ACT II SCENE Ii Capulet'due south orchard.
[Enter ROMEO]
ROMEO He jests at scars that never felt a wound.
[JULIET appears above at a window]
But, soft! what light through yonder window breaks?
It is the east, and Juliet is the lord's day.
Arise, off-white sunday, and kill the envious moon,
Who is already sick and pale with grief,
That grand her maid art far more fair than she:
Be not her maid, since she is envious;
Her vestal livery is but sick and green
And none but fools exercise wear it; cast it off.
Information technology is my lady, O, it is my love! x
O, that she knew she were!
She speaks yet she says nothing: what of that?
Her eye discourses; I will answer information technology.
I am too bold, 'tis non to me she speaks:
2 of the fairest stars in all the heaven,
Having some business, do entreat her eyes
To twinkle in their spheres till they return.
What if her eyes were there, they in her head?
The brightness of her cheek would shame those stars,
As daylight doth a lamp; her eyes in heaven 20
Would through the airy region stream so bright
That birds would sing and think information technology were non nighttime.
See, how she leans her cheek upon her paw!
O, that I were a glove upon that paw,
That I might touch that cheek!
JULIET Ay me!
ROMEO She speaks:
O, speak over again, brilliant angel! for thousand fine art
As glorious to tonight, beingness o'er my head
As is a winged messenger of heaven
Unto the white-upturned wondering eyes
Of mortals that fall back to gaze on him 30
When he bestrides the lazy-pacing clouds
And sails upon the bust of the air.
JULIET O Romeo, Romeo! wherefore art 1000 Romeo?
Deny thy father and refuse thy name;
Or, if grand wilt non, be only sworn my love,
And I'll no longer be a Capulet.
ROMEO [Bated] Shall I hear more, or shall I speak at this?
JULIET 'Tis merely thy name that is my enemy;
Yard art thyself, though not a Montague.
What's Montague? information technology is nor mitt, nor pes, 40
Nor arm, nor face, nor any other part
Belonging to a homo. O, be another name!
What's in a proper noun? that which nosotros call a rose
Past whatsoever other proper name would aroma every bit sugariness;
So Romeo would, were he not Romeo phone call'd,
Retain that dear perfection which he owes
Without that championship. Romeo, doff thy name,
And for that proper noun which is no part of thee
Take all myself.
ROMEO I have thee at thy discussion:
Call me only dear, and I'll exist new baptized; 50
Henceforth I never will be Romeo.
JULIET What man fine art thou that thus bescreen'd in night
And so stumblest on my counsel?
ROMEO By a proper noun
I know not how to tell thee who I am:
My name, dear saint, is mean to myself,
Because information technology is an enemy to thee;
Had I it written, I would tear the word.
JULIET My ears take not all the same drunkard a hundred words
Of that tongue's utterance, yet I know the sound:
Art chiliad non Romeo and a Montague? 60
ROMEO Neither, fair saint, if either thee dislike.
JULIET How camest k hither, tell me, and wherefore?
The orchard walls are high and difficult to climb,
And the place death, considering who thou fine art,
If any of my kinsmen discover thee here.
ROMEO With love'south light wings did I o'er-perch these walls;
For stony limits cannot hold dearest out,
And what love can do that dares honey attempt;
Therefore thy kinsmen are no permit to me.
JULIET If they do meet thee, they will murder thee. 70
ROMEO Alack, there lies more than peril in thine eye
Than twenty of their swords: look thou but sugariness,
And I am proof against their enmity.
JULIET I would not for the world they saw thee here.
ROMEO I take night'southward cloak to hide me from their sight;
And simply thou love me, let them find me here:
My life were better ended by their hate,
Than death prorogued, wanting of thy beloved.
JULIET By whose direction found'st thou out this place?
ROMEO Past love, who first did prompt me to inquire; 80
He lent me counsel and I lent him eyes.
I am no airplane pilot; notwithstanding, wert thou as far
As that vast shore wash'd with the uttermost ocean,
I would chance for such trade.
JULIET K know'st the mask of night is on my face,
Else would a maiden chroma bepaint my cheek
For that which thou hast heard me speak to-night
Fain would I dwell on form, fain, fain deny
What I have spoke: but farewell compliment!
Dost thou love me? I know thou wilt say 'Ay,' 90
And I will accept thy word: yet if thou swear'st,
Thou mayst show imitation; at lovers' perjuries
Then say, Jove laughs. O gentle Romeo,
If k dost honey, pronounce it faithfully:
Or if k think'st I am too quickly won,
I'll frown and be perverse an say thee nay,
So m wilt woo; just else, not for the world.
In truth, off-white Montague, I am too fond,
And therefore thou mayst call up my 'havior light:
Just trust me, admirer, I'll bear witness more than true 100
Than those that have more cunning to be strange.
I should have been more than strange, I must confess,
But that 1000 overheard'st, ere I was ware,
My true dearest'southward passion: therefore pardon me,
And non impute this yielding to light love,
Which the dark dark hath so discovered.
ROMEO Lady, by yonder blessed moon I swear
That tips with silver all these fruit-tree tops--
JULIET O, swear not past the moon, the inconstant moon,
That monthly changes in her circled orb, 110
Lest that thy love show likewise variable.
ROMEO What shall I swear by?
JULIET Do not swear at all;
Or, if thou wilt, swear by thy gracious self,
Which is the god of my idolatry,
And I'll believe thee.
ROMEO If my centre'southward love love--
JULIET Well, do not swear: although I joy in thee,
I have no joy of this contract to-night:
Information technology is too rash, besides unadvised, besides sudden;
Too like the lightning, which doth terminate to be
Ere ane can say 'Information technology lightens.' Sugariness, good dark! 120
This bud of dearest, past summertime's ripening breath,
May bear witness a beauteous flower when next we meet.
Expert night, good night! as sweet quiet and rest
Come up to thy heart equally that within my breast!
ROMEO O, wilt thou leave me and then unsatisfied?
JULIET What satisfaction canst k have to-night?
ROMEO The commutation of thy honey'southward faithful vow for mine.
JULIET I gave thee mine before m didst asking it:
And yet I would it were to give again. 129
ROMEO Wouldst thou withdraw it? for what purpose, love?
JULIET Merely to be frank, and requite it thee once again.
And withal I wish merely for the thing I take:
My bounty is every bit boundless every bit the bounding main,
My love every bit deep; the more than I give to thee,
The more I have, for both are infinite.
[Nurse calls within]
I hear some noise within; dear love, bye!
Anon, good nurse! Sweet Montague, be true.
Stay but a fiddling, I will come again.
[Exit, above]
ROMEO O blessed, blessed night! I am afeard.
Being in night, all this is merely a dream, 140
Too flattering-sweet to be substantial.
[Re-enter JULIET, above]
JULIET Three words, dear Romeo, and good night indeed.
If that thy bent of love be honourable,
Thy purpose marriage, send me word to-morrow,
Past 1 that I'll procure to come up to thee,
Where and what time 1000 wilt perform the rite;
And all my fortunes at thy foot I'll lay
And follow thee my lord throughout the world.
Nurse [Within] Madam!
JULIET I come, betimes.-- But if thou hateful'st not well, 150
I do beseech thee--
Nurse [Inside] Madam!
JULIET By and past, I come:--
To finish thy suit, and leave me to my grief:
To-morrow will I transport.
ROMEO So thrive my soul--
JULIET A thousand times good night!
[Exit, to a higher place]
ROMEO A thousand times the worse, to want thy light.
Dear goes toward beloved, as schoolboys from
their books,
But beloved from dearest, toward schoolhouse with heavy looks.
[Retiring]
[Re-enter JULIET, higher up]
JULIET Hist! Romeo, hist! O, for a falconer's vocalisation,
To lure this tassel-gentle back again! 160
Bondage is hoarse, and may not speak aloud;
Else would I tear the cavern where Echo lies,
And make her airy tongue more hoarse than mine,
With repetition of my Romeo'south proper name.
ROMEO It is my soul that calls upon my name:
How silverish-sweetness sound lovers' tongues by night,
Like softest music to attending ears!
JULIET Romeo!
ROMEO My dearest?
JULIET At what o'clock to-morrow
Shall I ship to thee?
ROMEO At the hour of nine.
JULIET I will not fail: 'tis xx years till and then. 170
I take forgot why I did call thee back.
ROMEO Allow me stand here till chiliad call back it.
JULIET I shall forget, to take thee still stand there,
Remembering how I love thy visitor.
ROMEO And I'll still stay, to take thee nevertheless forget,
Forgetting any other home but this.
JULIET 'Tis about morning; I would have thee gone:
And yet no further than a wanton'southward bird;
Who lets it hop a little from her mitt,
Similar a poor prisoner in his twisted gyves, 180
And with a silk thread plucks information technology dorsum again,
And then loving-jealous of his liberty.
ROMEO I would I were thy bird.
JULIET Sweetness, so would I:
Even so I should kill thee with much cherishing.
Good dark, practiced night! parting is such
sweet sorrow,
That I shall say good dark till information technology be morrow.
[Exit above]
ROMEO Sleep dwell upon thine eyes, peace in thy breast!
Would I were slumber and peace, so sweet to remainder!
Hence will I to my ghostly begetter's cell,
His aid to crave, and my dear hap to tell.
[Get out]

Side by side: Romeo and Juliet, Act two, Scene 3

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Explanatory Notes for Act 2, Scene ii
From Romeo and Juliet. Ed. K. Deighton. London: Macmillan.

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Prologue

1. He jests ... wound, Mercutio, who never felt the wound of love, may well jest at the scars which Cupid's arrows have left in my heart. That this is not a general, only a detail, remark is, I remember, proved by the answering rhyme, as Staunton has noticed. And every bit neither the folios nor the quartos make any division of scene, such division, originally due to Rowe, seems clearly wrong.

ii. soft! he bids himself 'hush,' cautions himself to talk in a lower voice.

4. envious, jealous.

vii. Be non her maid, no longer serve her, no longer keep a vow to live unmarried; as Diana'southward votaries pledged themselves to do.

8. Her vestal ... green, the life of chastity to which she binds her priestess is one of sickly, jaundiced, hue. In sick and green there is probably, as Delius suggests, an innuendo to the "green-sickness" of which Shakespeare often speaks, and which in iii. v. 157, below, Capulet applies every bit an epithet to Juliet in his anger at her refusal of Paris, "Out, yous green-sickness carrion! out, you baggage! You tallow-face," — an disquiet of languishing girls characterized by a pale complexion. The reading of the starting time quarto is pale for sick, and this is preferred by many editors. Collier would alter ill into white, seeing in the line an allusion to the white and dark-green livery formerly worn past the Courtroom fools; just it seems unlikely that Shakespeare would utilise the word fools in this literal sense when referring to Juliet, while, as Grant White points out, if such an allusion were intended, information technology would exist obtained from the reading of the get-go quarto, stake, without the tearing change to white; vestal livery. Vesta was the Roman goddess of the hearth, corresponding with the Greek Hestia, and her priestesses were vowed to a life of chastity and celibacy; cp. Per. iii. iv. 10, "A vestal livery volition I have me to, And never more take joy."

12. what of that? but that matters little.

13. discourses, is eloquent in its mere look.

xvi. some business, some private affairs of their own which would exist hindered by their having to perform their nightly duty of lighting up the sky.

17. in their spheres. According to the Ptolemaic system of astronomy, round near the earth, which was the center of the system, were ix hollow spheres, consisting of the seven planets, the fixed stars or firmament, and the Primum Mobile; the spheres with the stars and planets in them existence whirled round the world in twenty-four hours by the driving power, the Primum Mobile.

21. the airy region, the upper air; region, was originally a segmentation of the sky marked out by the Roman augurs. In afterward times the atmosphere was divided into three regions, upper, middle, and lower. Cp. besides Haml. ii. 2. 509.

24, v. O, that ... cheek, cp. Tennyson, The Miller'due south Girl, 169-186.

28. winged messenger, affections.

29. white-upturned, turned upwardly in admiration and then that the pupils are scarcely seen.

30. autumn back, stand back in awe, and besides in order to get a clearer view.

31. lazy-pacing, slowly drifting. Grant White compares Macb. i. vii. 21-five; lazy-pacing is Pope's conjecture for lasie pacing, of the get-go quarto; the remaining quartos and the folios requite lazie, or lazy, puffing.

34. refuse, disown, disclaim; cp. T. C. 4. v. 267, "Nosotros have had pelting wars, since you refused The Grecians' cause."

37. speak at this, answer her without allowing her to go farther, interrupt her at this point.

39. Yard art ... Montague. Staunton explains "That is, every bit she afterwards expresses it, yous would still retain all the perfections which ardorn you, were non chosen Montague"; and so substantially Grant White, though Dyce calls such an explanation "unintelligible." Others follow Malone in putting the comma later on though, as used in the sense of however, with the explanation that Juliet is only endeavouring to account for Romeo'due south existence amiable and excellent though he is a Montague, to prove which she asserts that he but bears the name, simply has none of the qualities of that house. Various emendations take also been proposed, but Staunton's explanation seems to me quite satisfactory.

42. be some other proper noun, be somebody else in proper noun than Montague. Lettsom objects that Shakespeare could not have written "be another proper name"; just after the expression "What'due south Montague?", where "Montague" is used as though information technology were a affair, in that location seems no reason why we should non have "exist some other proper name."

46. owes, owns; as frequently in Elizabethan literature, the final northward of the M. E. owen, to pcssess, beingness dropped. The modern sense of the discussion 'to be in debt,' 'to be obliged,' comes from the sense of possessing another's property, simply the word has no etymological connection with to 'own' = to possess; it being from the A.Southward. agan, to have, while the latter is from the A.Due south. agnian, to appropriate, merits as i's own, from agn, contracted form of agen, one's own (Skeat, Ety. Dict.).

47. doff, put off; exercise off, equally don, do on; dup, do up; dout, practise out.

48. for thy proper name, in commutation for your name.

53. So stumblest on my counsel, come up so unexpectedly upon my surreptitious thouglits; cp. M. N. D. i. 1. 216, "Emptying our bosoms of their counsel sweet," i.east. confiding to each other our inmost thoughts.

53, 4. Past a name... am, if I could let you know who I am without using a name, I would gladly do so, for it is incommunicable for me to proper name myself without lamentable yous.

55. saint. Delius points out that this word recalls their showtime coming together when, as a pilgrim, Romeo had thus greeted Juliet.

58. drunk, unconsciously acknowledging the avidity with which she had listened to his words.

61. if either thee dislike, if either exist unpleasant to your ears; dislike is really impersonal, as in Oth. ii. 3. 49, "I'll practice't; merely it mislike's me."

64. And the place expiry, and to venture here is to risk your life.

66. o'er-perch these walls, wing over these walls and settle hither, as a bird settles upon a branch after a flight from some other spot; a perch is literally a rod, bar, and so a bough or twig on which a bird settles.

67. stony limits, limits formed of stone, i.east. walls; stony, more unremarkably used as = of the nature of.

69. are no let to me, are no hindrance to me, cannot bar my way and continue me out.

71. Alack, according to Skeat, either a corruption of 'ah! lord,' or, which seems more probable, from ah! and M. East. lak, loss, failure.

73. proof against, able to suffer, hold out against; see note on i. 1. 216.

76. merely thousand love me ... hither, except, unless, y'all love me, I am quite willing that they should detect me here and kill me; without your dearest, life to me is not worth living.

78. Than decease ... dear, than that my death should be delayed if I am to be without your love; prorogued, the Lat. prorogare was to advise a further extension of office, lience to defer, though literally meaning only to ask publicly, from pro-, publicly, and rogare, to ask.

81. counsel, communication.

83. vast shore. "Lat. vastus, empty, waste" (Walker).

84. I would adventure for, I would make my voyage in quest of, however neat the danger.

88. Fain ... form, gladly would I, if information technology were possible, stand on ceremony with you, treat you lot with distant formality; Fain, properly an adjective.

89. but farewell compliment, "simply away with formality and punctilio" (Staunton); I now cast such things to the winds.

93. laughs, good-humouredly disdains to punish them. Douce compares Marlowe'south translation of Ovid's Art of Beloved, i. 633, "For Jove himself sits in the azure skies, And laughs below at lover'due south perjuries," from which he thinks that Shakespeare borrowed.

94. pronounce information technology faithfully, assure me of your love without adding an oath to confirm your words.

97. So, provided that.

98. fond, heedlessly loving; addicted, originally fonned, the past participle of the verb fonnen, to act foolishly, from the substantive fon, a fool.

99. low-cal, full of levity, wanton.

101. more cunning ... foreign, more than skill in affecting coyness.

104. passion, passionate confession; the word was formerly used of any potent emotion.

106. Which the night ... discovered, which (love) has been revealed to y'all by the darkness of the nighttime whose part should be to muffle; which you have discovered thanks to the darkness of the night.

110. circled, revolving; not, I think, 'round,' equally Schmidt explains.

111. likewise, every bit.

113. gracious, attractive, finding favour in my optics; cp. T. A. i. i. 429, "if ever Tamora Were gracious in those princely optics of thine." This is the reading of the first quarto, the other old copies giving glorious, which Grant White thinks more suitable to the context.

114.of my idolatry, that I worship.

117. I have ... to-nighttime, I feel no joy in at present ratifying with oaths a contract between usa. Like Romeo, i. iv. 106-11, she has a presentiment of some evil befalling their plighted love.

118. unadvised, imprudent, formed without sufficient consideration.

121, 2. This bud of honey ... run across, this new love of ours, cherished in our hearts, may expand into full growth by the time we adjacent meet, as beneath the summertime's warmth the bud expands into a beauteous blossom. as that ... chest, "equally to that heart within my breast" (Delius).

126. satisfaction, Delius points out the double sense hither of payment and comfort.

129. And yet ... again, and yet I wish I had not given it, in club that I might now again accept the joy of giving it.

131. frank, liberal, free of hand; cp. Lear, iii. iv. 20, "Your onetime kind begetter, whose frank center gave all."

132. the thing I have. sc. her ain space love.

143. If that ... honourable, if your love is honourable in its intentions; for that, equally a conjunctional affix, see Abb. § 287.

145. procure to come, adapt to accept sent.

146. the rite, sc. of spousal relationship.

152. By and by, in a minute, direct.

153. suit. Malone quotes from Brooke's verse form, Romeus and Juliet, "and now your Juliet you beseekes To cease your sute, and endure her to live emong her likes."

154. And then thrive my soul — may my soul prosper (co-ordinate as I mean well to you), the final words being broken off by Juliet's farewell.

156. A thousand ... light, in respond to Juliet's wish of good-nighttime he says, nay, not skilful nighttime but bad night, nighttime made a thousand times the worse past the absence of you lot who are its only light.

158. toward ... looks, sc. equally schoolboys go toward, etc.

159. Hist! Heed!

159, 60. O, for ... again! would that I had a vocalism that would bring back my gentle Romeo as surely equally the falconer's vocalisation brings ack the tassel-gentle! "The tassel or tiercel (for and then it should be spelled) is the male of the gosshawk; then called because it is a tierce or third less than the female...This species of hawk had the epithet gentle annexed to it, from the ease with which it was tamed, and its zipper to man" (Steevens). "It appears," adds Malone, "that certain hawks were considered as appropriated to certain ranks. The tercel-gentle was appropriated to the prince, and thence was chosen past Juliet every bit an appellation for her dear Romeo."

161. Bondage ... aloud, 1 fettered, constrained past fear of being overheard, like me, is as much unable to phone call aloud equally one whose voice is stopped by hoarseness of the throat.

162. Else ... lies, otherwise by my loud cries I would rend the cave in which Repeat dwells; Echo, an Oread who past Juno was changed into a existence neither able to speak until somebody had spoken, nor to exist silent when anybody had spoken.

163. And make ... mine, and, by compelling her to repeat my cries, make her hoarser than myself even. Dyce compares Comus, 208, "And blusterous tongues that syllable men's names On sands and shores and desert wildernesses."

166. argent-sweetness, in allusion to the sweet tone of bells made of silver.

167. attending, attentive.

173. to accept ... in that location, in club to go along you standing there.

175. to take ... forget, so that you may continue to forget.

176. Forgetting ... this, forgetting that I have any habitation but this, forgetting that this is not really my home.

178. a wanton'southward bird, the pet bird of a mischievous girl, a girl that loves to tease her pets.

180. gyves, bondage, fetters.

182. Then loving-jealous ... liberty, and so fond of information technology and yet so jealous of its getting its freedom.

186. shall say good night, shall continue saying 'good nighttime.'

188. so sweet to residue, having and then sweet a resting place.

189. ghostly father, spiritual begetter; begetter, a championship given to cosmic priests.

190. my love hap, the good fortune that has befallen me; hap, fortune, chance, accident, from which we get to 'happen' and 'happy.'

How to cite the explanatory notes:
Shakespeare, William. Romeo and Juliet. Ed. Thousand. Deighton. London: Macmillan, 1916. Shakespeare Online. 20 February. 2013. < http://www.shakespeare-online.com/plays/romeo_2_2.html >.

How to cite the sidebar:
Mabillard, Amanda. Notes on Shakespeare. Shakespeare Online. xx Feb. 2013. < http://www.shakespeare-online.com/plays/romeo_2_2.html >.

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Even more...

 Daily Life in Shakespeare's London
 Life in Stratford (structures and guilds)
 Life in Stratford (trades, laws, furniture, hygiene)
 Stratford Schoolhouse Days: What Did Shakespeare Read?

 Games in Shakespeare's England [A-L]
 Games in Shakespeare'south England [M-Z]
 An Elizabethan Christmas
 Clothing in Elizabethan England

 Queen Elizabeth: Shakespeare'due south Patron
 King James I of England: Shakespeare's Patron
 The Earl of Southampton: Shakespeare's Patron
 Going to a Play in Elizabethan London

 Ben Jonson and the Reject of the Drama
 Publishing in Elizabethan England
 Shakespeare'southward Audience
 Faith in Shakespeare's England

 Alchemy and Astrology in Shakespeare's 24-hour interval
 Entertainment in Elizabethan England
 London's First Public Playhouse
 Shakespeare Hits the Big Time

Notes on Romeo and Juliet

microsoft images Juliet appears above at a window (stage direction). Shakespeare did not include this phase management and information technology is non in Q1 or the First Folio. It was added in the 17th century and has remained ever since, although some editors cull to place the direction correct afterwards Romeo's line "He jests at scars that never felt a wound" (ane), while others insert it right before Romeo says "Information technology is my lady, O it is my love" (10).
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More to Explore

Romeo and Juliet: Complete Play with Explanatory Notes
 Themes and Motifs in Romeo and Juliet
 Phase History of Romeo and Juliet
Romeo and Juliet: Examination Questions and Answers

 Queen Mab in Evidently English
 Romeo, Rosaline, and Juliet
 The Importance of Romeo and Rosaline

Romeo and Juliet Plot Summary (Acts 1 and two)
Romeo and Juliet Plot Summary (Acts 3, 4 and five)
Romeo and Juliet and the Rules of Dramatic Tragedy
Romeo and Juliet: Teacher'due south Notes and Classroom Discussion

 What Is Achieved in Deed I?
 The Purpose of Romeo'southward witticisms in ii.1.
 Friar Laurence'due south First Soliloquy
 The Dramatic Role of Mercutio's Queen Mab Speech

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sick and greenish ] The phrase sick and light-green refers to the anaemic condition known as chlorosis, or dark-green sickness. The goddess Diana (the moon personified) is sickly pale and envious of Juliet's beauty (6). Juliet, as well, as a follower of Diana (i.e,. a virgin) is looking quite sickly stake herself.

As Helen King argues in her book The disease of virgins: light-green sickness, chlorosis and the bug of puberty, "...for an early mod reader, the disease characterization 'greenish sickness' - like 'the disease of virgins' - could contain within itself the cure: sexual experience" (35). Read on...


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 Mercutio's Death and its Office in the Play
 Costume Pattern for a Production of Romeo and Juliet
 Shakespeare's Treatment of Love

 Shakespeare on Fate
 Sources for Romeo and Juliet
 The Five Stages of Plot Development in Romeo and Juliet
 Annotated Balcony Scene, Act ii
 Blank Verse and Rhyme in Romeo and Juliet

 How to Pronounce the Names in Romeo and Juliet
 Introduction to Juliet
 Introduction to Romeo
 Introduction to Mercutio
 Introduction to The Nurse

 Introduction to The Montagues and the Capulets
 Famous Quotations from Romeo and Juliet
 Why Shakespeare is so Important

 Shakespeare's Linguistic communication
 Shakespeare's Boss: The Master of Revels
 What is Tragic Irony?
 Seneca's Tragedies and the Elizabethan Drama
 Characteristics of Elizabethan Drama

Notes on Shakespeare...

Richard Shakespeare, Shakespeare's paternal grandad, was a farmer in the small village of Snitterfield, located four miles from Stratford. Records show that Richard worked on several different farms which he leased from diverse landowners. Coincidentally, Richard leased land from Robert Arden, Shakespeare's maternal grandfather. Read on...
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Shakespeare caused substantial wealth thanks to his acting and writing abilities, and his shares in London theatres. The going rate was £10 per play at the turn of the sixteenth century. And then how much money did Shakespeare make? Read on...

Henry Bolingbroke, the eldest son of John of Gaunt and the grandson of Rex Edward Three, was born on Apr 3, 1367. Henry usurped the throne from the ineffectual King Richard II in 1399, and thus became King Henry Four, the start of the iii kings of the Business firm of Lancaster. Read on...
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Known to the Elizabethans as ague, Malaria was a common malady spread past the mosquitoes in the marshy Thames. The swampy theatre district of Southwark was always at run a risk. King James I had it; so too did Shakespeare's friend, Michael Drayton. Read on...
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Shakespeare was familiar with seven foreign languages and oftentimes quoted them directly in his plays. His vocabulary was the largest of whatsoever writer, at over twenty-4 1000 words. Read on...

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Source: http://www.shakespeare-online.com/plays/romeo_2_2.html

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